دراسة موضوعية فنية لشعر السيّد محمد أمين علي النّقوي

2026-03-31T06:10:28+00:00

This article, entitled "An Artistic and thematic study of the poetry of Sayyed Amin Ali Naqvi" covers the scholarly and literary contributions of the prominent Pakistani religious scholar and Sufi poet, Mr. Syed Muhammad Amin Ali Naqvi (1940–2008). He belongs to the noble Saadat-e-Naqvi family, and his lineage traces back to Imam Hussain (A.S.) through 45 generations. He received spiritual and academic training from the Great Scholar of Pakistan (Muhaddith-e-Azam), Maulana Muhammad Sardar Ahmad, along with other illustrious teachers, and completed the Dars-e-Nizami course.

After spending a lon

After spending a long period in seclusion and dedicated spiritual practice, Mr. Naqvi suddenly entered the scholarly and literary arena, astonishing everyone with his immense talents. His greatest claim to fame is his poetic work, "Muhammad ﷺ hi Muhammad ﷺ," a collection of Naats (praises of the Prophet) composed entirely in Huroof-e-Ghair Manqoota (letters without dots), which has made history in the world of literature. In addition to Urdu, he possesses complete mastery over Arabic, Persian, Hindi, and Punjabi. His poetry is not merely verse but serves as a comprehensive message of religious outreach (Dawah), love for the Prophet ﷺ, and the unity of the Muslim community (Ummah). The primary objective of his poetry is to eliminate disunity and linguistic divides among Muslims, gathering them instead around the central pillar of love for the Prophet ﷺ.

g period in seclusion and dedicated spiritual practice, Mr. Naqvi suddenly entered the scholarly and literary arena, astonishing everyone with his immense talents. His greatest claim to fame is his poetic work, "Muhammad ﷺ hi Muhammad ﷺ," a collection of Naats (praises of the Prophet) composed entirely in Huroof-e-Ghair Manqoota (letters without dots), which has made history in the world of literature. In addition to Urdu, he possesses complete mastery over Arabic, Persian, Hindi, and Punjabi. His poetry is not merely verse but serves as a comprehensive message of religious outreach (Dawah), love for the Prophet ﷺ, and the unity of the Muslim community (Ummah). The primary objective of his poetry is to eliminate disunity and linguistic divides among Muslims, gathering them instead around the central pillar of love for the Prophet ﷺ.

تجليات العشق الإلهي والفناء الصوفي في شعر "اصغر گونڈوی"دراسة تحليلية وصفية

2026-05-14T10:40:16+00:00

This research examines the manifestations of divine love (al-Ishq al-Ilahī) and Sufi annihilation (al-fanā’ al-ṣūfī) in the poetry of Asghar Gondvi through a descriptive analytical approach. The study is based on the premise that his poetry transcends emotional expression and constructs a Sufi vision in which divine love becomes a fundamental principle for interpreting existence, while al-fanā’ represents a cognitive and existential state that reshapes the relationship between the self and the Absolute.

The research explores the development of the concepts of al-Ishq and al-fanā’ across multiple dimensions: as a cosmic principle of movement, as intuitive knowledge beyond rationality, as a process of self-effacement, and finally as experiential annihilation in witnessing aesthetic unity. It highlights that the poet’s Sufi experience is grounded in the unity of divine manifestation, where the universe becomes a reflection of divine beauty.

The study concludes that Asghar Gondvi offers a coherent Sufi poetic experience in which poetry functions as a medium of metaphysical and epistemological disclosure rather than mere artistic expression, granting his work a profound philosophical and aesthetic dimension in Urdu literature.

JAR

دراسة موضوعية فنية لشعر السيّد محمد أمين علي النّقوي

تجليات العشق الإلهي والفناء الصوفي في شعر "اصغر گونڈوی"دراسة تحليلية وصفية